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September 2021.   I spent some time experimenting with wave shapes and printing  the plates which I made on the beach in Northumberland aiming for a sense of movement.

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October 2021. 'La petite lumiere'   This tiny print was made in an edition of 11 for The makers Studio 'emergence' print exchange and is on its way to Australia.

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October 2021 'La petite lumière'   I made a number of prints with a second plate to add the dark colour, however to was difficult to achieve the consistent result needed for the print exchange which did not allow varied editions.

September/October 2021. Life returning to normal at long last . . . both Top draw and Westgate Studios are running regularly after 18 months of closure . . . need to get back into my stride!

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'one of many postcards' is a printmakers' challenge started by Sheffield print maker John Peddar. Artists produce an edition of prints or similar and offer them on instagram in return for a charity contribution from the recipients. This is my first year of contributing, and I am pleased to say that all my prints were snapped up and have been sent out to England, Ireland, the Netherlands and Canada.

My postcards are a varied edition of prints which combine a plate made from a recent life drawing class with cut up plates from my 'waves' series. The body in the print started to look like a sea cave reminiscent of the caves along Seaham Hall beach,  the prints became more complex and varied as I worked on the edition but connote the mysteriousness and isolation of the remote end of the beach.They also suggest a turning of the seasons and saying goodbye to my summer sea preoccupation as the weather changes and shelter and refuge is needed.

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'Light trails'.   My next series of prints is developing a 'light trails' theme from my practice rhysome which explores ambiguous bodies and movement. My aims are to bring a sense of movement to the prints which are based on life drawings done from a moving model. The light trails fit with the time of year when bonfires and fireworks are part of the transition to Autumn in celebrations such as Diwali and bonfire night.

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PROCESS:

Life drawings photographed, printed out smaller and hatched with pen.

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Artist proofs; print and ghost print.

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Final plate

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'light trails 

Additional abstracts . . .

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These images are from  experimentation done at the end of a long printing session, the dark area is a rather clumsy 'roll over' technique suggested by the technician, which I don't usually use but I like the contrast with the fine detail of the drawn plate . . . 

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And of course  life drawing continues.

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